a5c7b9f00b This movie is about a young Abraham Lincoln who loses his mother after she is killed by Jack Barts, a vampire (she dies in front of him), so he grows up wanting to kill the person who killed her and while at a bar getting drunk he meets Henry Sturges, a person who teaches him how to fight and hunt Vampires. As time goes by he kills many Vampires, except the one who killed his mother, and he's getting impatient. He moves to Springfield and takes on a "normal" job as a store clerk and meets Mary Todd, who eventually becomes his wife. But the normal life is a cover for what he really needs to do, kill Vampires. So he becomes political and uses his popularity to climb the ranks to eventually become President while at the same time trying to take out the Vampire population, and eventually kill the head Vampire, and the one who killed his mother. At the age of 9, Abraham Lincoln witnesses his mother being killed by a vampire, Jack Barts. Some 10 years later, he unsuccessfully tries to eliminate Barts but in the process makes the acquaintance of Henry Sturgess who teaches him how to fight and what is required to kill a vampire. The quid pro quo is that Abe will kill only those vampires that Henry directs him to. Abe relocates to Springfield where he gets a job as a store clerk while he studies the law and kills vampires by night. He also meets and eventually marries the pretty Mary Todd. Many years later as President of the United States, he comes to realize that vampires are fighting with the Confederate forces. As a result he mounts his own campaign to defeat them. I enjoy this film very much it is never boring and even if it has some cliches it is still a good action film I loved this book! The details in the book about Abraham's younger years, the historical facts and dates - loved it all. The characters around Abraham were very real and important to the story (in my opinion). <br/><br/>Spoilers follow:<br/><br/>The movie was NOTHING like the book. The characters were different except for their names and some didn't show up at all. The events that made it from the book to the move were out of order in the movie. The details mentioned above - non- existent in the movie. The story was so choppy, leaving out huge portions of events. I am aware that not everything can be translated to a movie in a timely manner; however, it can be done far better than it was done in this movie.<br/><br/>I cannot, in good conscience, recommend this movie. Don't waste your time/money. Read the book - it is so much better. The training montage where Lincoln learns to twirl his axe around his body like a baton for no apparent purpose is neither the movie's first laughable sequence nor its last, but it sums up the movie's aesthetic: The filmmakers mistakenly think nothing is silly if it's done with a grim enough facial expression. Abraham Lincoln (<a href="/name/nm0907548/">Benjamin Walker</a>), the 16th President of the United States [March 1861 to April 1865], tells in his diary about his secret life that evolved after he witnessed the death of his mother in 1818. His father said that she was poisoned by wealthy plantation owner Jack Barts (<a href="/name/nm0190744/">Marton Csokas</a>) but, 10 years later, Abraham learns that Barts is actually a vampire and sets out to kill him. Along the way, he meets and is trained by vampire hunter Henry Sturges (<a href="/name/nm1002641/">Dominic Cooper</a>), woos and marries Mary Todd (<a href="/name/nm0935541/">Mary Elizabeth Winstead</a>), fights to abolish slavery, and, with the help of his boyhood friend Will Johnson (<a href="/name/nm1107001/">Anthony Mackie</a>) and boss Joshua Speed (<a href="/name/nm0801051/">Jimmi Simpson</a>), is forced to defeat the powerful head vampire Adam (<a href="/name/nm0001722/">Rufus Sewell</a>), who is planning to take over the United States and create a nation of the Undead. Abraham Lincoln: Vampire Hunter is also a 2010 novel by American novelist Seth Grahame-Smith. The novel was adapted for the film by Smith and English-born American screenwriter Simon Kinberg. Angered to find that the train is carrying rocks, Adam goes after Abraham, screaming, "Where's the silver?" "Right here," Abraham replies and plunges his fist, holding the silver pocket watch, into Adam's chest, destroying him. Abraham, Will, and Henry then escape from the train just before the burning trestle collapses. This time, when Henry asks, "Where's the silver?", Abraham reveals that Mary and the freed slaves have transported it out of Washington through the Underground Railroad to Gettysburg where it's already being fashioned into bullets and bayonets to use against the vampire army. The scene then cuts to 19 November 1863, the day on which President Lincoln delivers the Gettysburg Address at the cemetery's dedication. This scene then cuts to 14 April 1865. Lincoln is making a few notes in his diary, while Mary admonishes him to hurry up or they will be late for the theater. Henry tries to convince him to be made immortal so that they can fight vampires through the ages side-by-side, but Lincoln turns him down. As Abraham and Mary's carriage pulls away, Lincoln says in a voice-over: History prefers legends to men. It prefers nobility to brutality, soaring speeches to quiet deeds. History remembers the battle and forgets the blood. However history remembers me, if it does at all, it shall only remember a fraction of the truth. In the final scene, which takes place in modern time, Henry Sturges is sitting in a bar next to an obviously drunk young man. Henry turns to him and says, "A guy only gets that drunk when he wants to kiss a girl or kill a man. So which is it?" He nudges the man and a gun falls to the floor. No. The last thing before the "full credits" is the drawing made with blood. There are many sites where Lincoln's Gettysburg Address can be read, but it's a short speech, easily presented here. Lincoln said: Four score and seven years ago our fathers brought forth on this continent, a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal. Now we are engaged in a great civil war, testing whether that nation, or any nation so conceived and dedicated, can long endure. We are met on a great battle-field of that war. We have come to dedicate a portion of that field, as a final resting place for those who here gave their lives that that nation might live. It is altogether fitting and proper that we should do this. But, in a larger sense, we can not dedicate—we can not consecrate—we can not hallow—this ground. The brave men, living and dead, who struggled here, have consecrated it, far above our poor power to add or detract. The world will little note, nor long remember what we say here, but it can never forget what they did here. It is for us the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us—that from these honored dead we take increased devotion to that cause for which they gave the last full measure of devotion—that we here highly resolve that these dead shall not have died in vain—that this nation, under God, shall have a new birth of freedom—and that government of the people, by the people, for the people, shall not perish from the earth.
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